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Showing posts with label extreme architecture. Show all posts
Showing posts with label extreme architecture. Show all posts

Wednesday, August 31, 2011

Sustainable Architecture in the Ancient Worlds


I hold that sustainability is not just about energy efficiency and carbon footprints, but in the realm of architecture it also requires attention to durability. In these times of climate change and extreme weather events, biomorphic buildings will begin to appear more regularly, as will pyramid-shaped structures, the pyramid being the most durable building form.

Here are 5 ancient creations that have stood the test of time:

THE GREAT TEMPLE OF RAMSES II (left) / TEMPLE OF HATHOR / NEFERTARI (right) - EGYPT



These rock-cut temples are located in the ancient Wawat (or the legendary Ybsambul) in Nubia, near the borders of Sudan, about 300 kilometers from Aswan. Earlier temples in Nubia had been located within forts, but here the confidence of Ramses II, whose reign may have lasted as many as 67 years, is illustrated; these temples, probably once brightly colored, were cut into the natural rock and lapped by the Nile. After eleven centuries of oblivion, these temples were rediscovered in 1813 when Johann Ludwig Burckhardt saw by accident the upper parts of the colossal figures. In 1817 Giovanni Battista Belzoni found the entrance, partially freed from the sand. In the following years these temples were often partially covered by shifting sands.

Today visitors see the reconstructed temples now relocated on higher ground (60 meters directly above their earlier position) after the heroic international rescue efforts to save these treasures from Lake Nasser.

The facade of the Great Temple of Ramses is about 38 meters long and 31 meters high. The temple is dedicated to the most important gods of the New Kingdom, Ptah (the creator god of Memphis), Amun-Re (the great god of Thebes) and Re-Harakhte (sun god of Heliopolis), as well as to the Pharaoh Ramses II himself. The four colossi, statues of Ramses II (c. 1290-1224 BCE), are more than 20 meters high and about 4 meters from ear to ear.





TAJ MAHAL - INDIA



The Taj Mahal (Hindi: ताज महल, from Persian/Urdu: تاج محل "crown of buildings") is a mausoleum located in Agra, India. It was built by Mughal emperor Shah Jahan in memory of his third wife, Mumtaz Mahal. The Taj Mahal is widely recognized as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."

Taj Mahal is the finest example of Mughal architecture, a style that combines elements from Persian, Turkish and Indian architectural styles.

In 1983, the Taj Mahal became a UNESCO World Heritage Site. While the white domed marble mausoleum is the most familiar component of the Taj Mahal, it is actually an integrated complex of structures. The construction began around 1632 and was completed around 1653, employing thousands of artisans and craftsmen. The construction of the Taj Mahal was entrusted to a board of architects under imperial supervision, including Abd ul-Karim Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri. Lahauri is generally considered to be the principal designer









BOROBUDUR - INDONESIA




Borobudur, or Barabudur, is an 8th-century Mahayana Buddhist monument near Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues.[1] A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.

The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey, the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades.

Evidence suggests Borobudur was abandoned following the 14th-century decline of Buddhist and Hindu kingdoms in Java, and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is still used for pilgrimage; once a year Buddhists in Indonesia celebrate Vesak at the monument, and Borobudur is Indonesia's single most visited tourist attraction.





MACHU PICCHU - PERU



Machu Picchu (Spanish pronunciation: [ˈmatʃu ˈpitʃu], Quechua: Machu Pikchu [ˈmɑtʃu ˈpixtʃu], "Old Peak") is a pre-Columbian 15th-century Inca site located 2,430 metres (7,970 ft) above sea level. It is situated on a mountain ridge above the Urubamba Valley in Peru, which is 80 kilometres (50 mi) northwest of Cusco and through which the Urubamba River flows. Most archaeologists believe that Machu Picchu was built as an estate for the Inca emperor Pachacuti (1438–1472). Often referred to as the "Lost City of the Incas", it is perhaps the most familiar icon of the Inca World.

The Incas started building the "estate" around AD 1400, but abandoned it as an official site for the Inca rulers a century later at the time of the Spanish Conquest. Although known locally, it was unknown to the outside world before being brought to international attention in 1911 by the American historian Hiram Bingham. Since then, Machu Picchu has become an important tourist attraction. Most of the outlying buildings have been reconstructed in order to give tourists a better idea of what the structures originally looked like.[3] By 1976, thirty percent of Machu Picchu had been restored. The restoration work continues to this day.

Since the site was never known to the Spanish during their conquest, it is highly significant as a relatively intact cultural site. Machu Picchu was declared a Peruvian Historical Sanctuary in 1981 and a UNESCO World Heritage Site in 1983. In 2007, Machu Picchu was voted one of the New Seven Wonders of the World in a worldwide Internet poll.

Machu Picchu was built in the classical Inca style, with polished dry-stone walls. Its three primary buildings are the Intihuatana, the Temple of the Sun, and the Room of the Three Windows. These are located in what is known by archaeologists as the Sacred District of Machu Picchu. In September 2007, Peru and Yale University almost reached an agreement regarding the return of artifacts which Yale has held since Hiram Bingham removed them from Machu Picchu in the early 20th century. In November 2010, a Yale University representative agreed to return the artifacts to a Peruvian university.





THE GREAT WALL - CHINA



The Great Wall of China is a series of stone and earthen fortifications in northern China, built originally to protect the northern borders of the Chinese Empire against intrusions by various nomadic groups. Several walls have been built since the 5th century BC that are referred to collectively as the Great Wall, which has been rebuilt and maintained from the 5th century BC through the 16th century. One of the most famous is the wall built between 220–206 BC by the first Emperor of China, Qin Shi Huang. Little of that wall remains; the majority of the existing wall was built during the Ming Dynasty.

The Great Wall stretches from Shanhaiguan in the east, to Lop Lake in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. The most comprehensive archaeological survey, using advanced technologies, has concluded that the entire Great Wall, with all of its branches, stretches for 8,851.8 km (5,500.3 mi). This is made up of 6,259.6 km (3,889.5 mi) sections of actual wall, 359.7 km (223.5 mi) of trenches and 2,232.5 km (1,387.2 mi) of natural defensive barriers such as hills and rivers







How about we build some iconic, durable buildings for our children and grandchildren?






- proposed Portlands Development finalist, Toronto (Architect: David Butterworth, Design / Visualization: Samuel Zeng)


sources: Wikipedia.org, bluffton.edu, Google image search

Tuesday, March 15, 2011

Extreme Architecture to be key element of Sustainable Design



Earthquakes, tsunamis, hurricanes and floods spark a rethinking of building designs


In full light of events in Indonesia, New Orleans, Haiti and Japan, it is time for architects the world over to begin defining and developing a crucial new discipline, Extreme Architecture. To differentiate from the "extreme architecture" that signifies out-of-the-ordinary, sometimes into-the-woods building technologies at the fringes of humanity's habitats (a positive contribution, however in this context we are dealing equally with larger urban projects), I shall use a capital E as in Extreme to signify the architectural techniques that allow buildings to withstand extreme weather and catastrophic events. It is likely that Extreme Architecture will soon become a core component of Sustainable Design, and in time may ascend to the dominant new architectural form of the 21st Century. Skyscrapers may become relics, and earthscrapers innovative and intriguing.


The book Extreme Architecture explores building in the most challenging environments

In her book Extreme Architecture, author Ruth Slavid equates it to designing buildings for "extreme environments" with architecture that responds to its environment, and that's a great start. Her survey of close to fifty projects is divided into five sections (Hot, Cold, High, Wet, Space) that delineate the extremes architects must respond to.

According to an online review of Slavid's book Extreme Architecture, John at A Daily Dose of Architecture, the book is a worthy look / see / read:

The selection ranges from variations on the vernacular to far-fetched proposals that seem to exist only to push the envelope by pushing the limits of human existence. What is constant is Slavid's exemplary writing, descriptive and informative to be sure, but also able to hold the reader's interest project after project. Be it a school for a poor community, a ski jump, a floating house, or even a dirigible, Slavid's perspective on how the architecture responds to its conditions is consistent, not seduced by the fastastical nature of the most extreme of the extreme.






Svalbard global seed vault


Sustainable design means more than just greenness

If you really think about it, how sustainable is a building if it only stands for fifteen or even thirty five years? Extreme Architecture will spring to life and become the bridge between traditional sustainable design, and the more extreme architectural discipline of arcology, which comprises self-contained ecospheres generally designed to survive in space or on water. Extreme architecture will be almost entirely ground-based, and will have deep foundations and flowing structures.

The lessons learned from building in challenging environments all over the world need to be combined in a new sub-discipline of Sustainable Design. Crucial infrastructure buildings must respond to their environments, be able to handle extreme weather, and in certain areas be built with the understanding that catastrophic events like earthquakes, tsunamis, hurricanes and tornadoes may occur.


Great Pyramid of Giza, Egypt

While the buildings of Santiago Calatrava may be among the most inspirational of all time, some works of architects like Mario Botta and Steven Holl at least appear to have more substance, a deeper physical permanence. Where Frank Lloyd Wright and Calatrava point the way, others will come along and add weight and durability. My point being, even in a world where an architect must design a liveable, energy-efficient, green building that can withstand weather perhaps not yet seen by man, she must still retain and exhibit a core and spark of creative genius.

In the nineteenth century we looked to the skyline and saw steeples, and thought of God. In the twentieth century, we saw bank towers and thought of money and the good life.

In the twenty-first century, we will look to new city skylines for ingenuity and artistry, for composition and balance, for innovation and brilliance. Extreme Architects, bring it on!!!

Joseph Edward Trainor
July 15th, 2011
Toronto, Canada



Toronto Portlands competition - Architect David Butterworth, Visualization and Design Samuel Zeng







Izmir Opera House in Turkey, by Nuvist Architecture and Design

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